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Copiright © Jeton Kelmendi jetonkelmendi@gmail.com 0032478663381
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In order to express powerful feelings in poetry there is not a single thing more effective
than the brevity of the poem and its concise style.
Isn’t this also true in wild animals when they squeeze their body and gather all their energies for an attack?
Jeton Kelmendi's poetry is very similar to this image with its inner shivering.
It is characterised from the feeling of masses and laconicisms.
Its condensed lyrical style penetrates deeply on the readers’ sensations.
Through his elliptical verses, in fact he communicates the most valuable thing of human spirit.
Kelmendi is one of the great figures of today’s poetry.
The work of this Kosovar poet honors not only the Albanian language literature,
but the whole literature with its entirety.
Athanase Vantchev de Thracy, July 15, 2009, Paris
______________________________
Jeton Kelmendi has as much passion as it seems like he is trying to re-invent his homeland and love.
He tries to make the dream into an anti-dream, and also the opposite.
In his poetry there is something contrary to the wind and achievements,
he may not get there, but indeed is the fighter of explorations.
He discovers the roots on the branches, and the faces in the fruits.
Searches the future and discovers the present,
Searches for someone else and discovers himself.
Visar Zhiti, Rome Italy
_______________________________
Foreword
I am a prose writer, but admire poetry: the art of rhythmical composition – written or spoken – and that is imaginative, impassioned, and educative. My interpretation of Kelmendi’s poetry may surprise the reader, and perhaps, the author himself. Although I am not a student of Balkan history, I have always been interested in that part of Europe, for many reasons. The Balkan people have had a very difficult history, in part because of its more powerful neighbors. “Balkanize” means to divide a country, territory, etc. into small quarrelsome ineffectual states. Kelmendi-the-poet understands well the tragic history of this region. His lyrical work is soft and sad. His “how to reach yourself” reminds me of persons who have had to become border-crossers throughout history. Obviously not in a luxury train, airplane, or expensive automobiles. Worst yet, perhaps without the “papers” needed to cross borders!
During the last thirty years the whole world has been radically changed because of what the powerful capitalist “democracies” have done in order to make more profits. Some call it neo-liberalism with a postmodern “outer-skin,” i.e., the culture of the economic changes. The term “ nexus” means connecting, linking, binding, joining, in other words – coming together in many ways. Karl Marx explained that under capitalism, and its form of imperialism, caused what he called the “cash nexus.” Money and wealth became the most important, and perhaps only reason, for powerful people to come together! The people of Illyria and Albania were not able to sit at the seats of the powerful who made the rules. The Western powers freed up the markets allowing entrepreneurs (mostly big capitalist corporations) to stir up as much Schumpeterian “creative destruction” as possible. Milton Friedman’s “shock and awe,” disaster capitalism is a form of making war on countries whose leaders did not want to become part of the Western powers new forms of neo-capitalist-imperialism. I have read and interpreted this book in terms of the context within which we live. I do not claim that Kelmendi would agree!
This poetry represents a person’s difficulty with regard to should he go back to the time when his country was strong and just. Even though this might only be more a wish than a fact. Turning inward, back to a god, a magic past, or where to start in the present? Perhaps to settle for neo-spiritual instead of neo-economics and the politics that might help in the current dispensation? Back to a deity and Mother Teresa both of whom may have disappeared? A return to the blossoming flower of Gonxhe, as a small Calcutta? This is difficult to figure out when the super secular global capitalism does not look to spirituality except in order to sell some/every thing – every day and night through the years.
Fatherland Albania! Kelmendi seems to be similar to other people whose homeland has not done well in the somewhat recent past, but can go further back in history when claims can be made that there was a time in the ancient past when their land-entity was powerful, just, and worthy of praise. He seems to tell his readers that so many Albanians, and other Balkan people, had to go abroad; however, perhaps they will return to a bigger, better and safer homeland. The reader may wonder if it is possible for all of the persons he alludes to can find such a grand homeland, given the wars that have occurred so recently. Old scores to settle within pressure from the western powers forcing this area into global capitalism, makes it difficult to believe that Kelmendi’s dreams and hopes can materialize any time soon! He asks where is the border that cuts through the sadness and joy? He also asks where have they taken my tomorrow, where is the shadow of yesteryear? Our author has the ability to move from tenses: remote, ancient, not too far back, present and future. This may be his strength with regard to what he gives to interested cosmopolitan readers? The lords of the earth today do not want ordinary (complimentary) persons to learn how to connect the links in time and space. They certainly did not like Marx’s attempt to teach people of his time to see the big picture, obviously a collage from smaller – “snapshots.” I admire Kelmendi’s valiant attempt to help us understand better the thoughts and hopes from one poet living and working in a particular country, but demonstrating his worldliness.
Peter Tase has made it possible for us to read an Albanian language book of poetry in English. This allows so many more people a chance to become knowledgeable about places and ideas beyond the English language world. Bravo Peter!
Richard A. Brosio, Ph.D., University of Michigan
Professor emeritus, Ball Sate University
Lecturer and Visiting Scholar at the University of Wisconsin Milwaukee
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Jeton Kelmendi, poeta y publicista, nació en 1978, Peia, Kosova. Estudios universitarios en Prishtina. Actualmente vive en Bruselas. Trabaja como publicista en media, en Kosova y en el extranjero. Miembro de la Asociación de los Periodistas Profesionales de Europa. Publicó seis libros de poesía. Sus poesías fueron traducidas en varios idiomas, y publicadas en su país y el extranjero. Los críticos literarios las han caracterizado como poesías con mensajes directos y modernos con respecto al concepto ideático. La esencia del pensamiento poético del poeta es la ética de la expresión. Los temas poéticos dominantes en su creación son la lírica del amor y la meditación sobre de tiempo.
Ha publicadolos libros de poesia
Shekulli i premtimeve (El siglo de las promesas, Editorial Rilindja, Prishtina, 1999), Përtej Heshtjes (Mas alla del silencio, Editorial Faik Konica, Prishtina, 2002), Në qoftë mesditë (Si fuera en el sur Editorial Faik Konica, Prishtina, 2004), Më fal pak Atdhe (Regálame un poco de mi país, 2005), Ku shkojnë ardhjet (Donde se van las llegadas, Editorial Ombra GVG, Tirana, 2007), Domnul cuvânt (Señora Palabra, 2007), drama, Ce mult s-au rărit scrisorile /Sa fort janë rralluar letrat, (Como se enrarecieron las cartas, Bucarest, 2007), publicado de la Unión Cultural de los Albaneses desde Rumania, Ai venit pentru urme negre (Viniste para las huellas negras, 2008), poesía, Breath / Fryma/ La respiración (India, 2009).
POESÍAS
Por Jeton Kelmendi
LA MONA LISA
(MONALIZA)
Ella es silencio vivo
Belleza
Con el alma tranquila
Un suspiro existencial
Para el misterio
Quedan siglos juntos
El la pared
Y miran a la gente
En la cara
Sin hablar
Y ya no calla
La paridad del corazón esta latiendo
En los otras corazones
Lleva consigo
El punto de nuestros ojos
Precisamente ella es la mujer
Que supera todo los placeres
Antes de penetrarte en la mirada
Dándote placer
París, 2006
PARA LA VALENTÍA
(PËR KURAJO)
Un día
Llegará mi día
Si es verdad que
Cada uno tiene un día propio
Y yo sabré esperarlo
Tendrá pan la tierra
Y agua el manantial
Lo suficiente para llenar los vacíos
¿Pero que haremos contigo
Desconfianza en el mañana?
También quise callar
Hablar un poco
Volverme en sombra
Pararte la luz del sol
Quise
Sobrepasar los resabios de la humanidad
Ayer vi que puedo
Desenvolverme
Sin ti
Tarde o temprano
Ayer
Intenté
Disfrutarlo al máximo.
Prishtina, 2005
LA LLEGADA
(ARDHJA)
Lo conduje hasta aquí
Del gran miedo a mi mismo
Día y noche
Condujeron su marcha
Llevaron con ella
Todo lo que era para llegada
Porque aquí y al fin de la partida
Nos espera una non-llegada
FONDO
(SFOND)
Aún espero el rebaño de la llegada
Que conduce las columnas de la partida
Amaneció la mañana
De marzo
De nuestras noches lejanas
Nos encontramos en algún lugar mas allá de los tiempos
CONSEJO
(KËSHILLË)
Déjame estar solo
Solamente allí
Donde no se apaga
La Luz
Toma
Cuando
Tienes de donde
Tomar
Cuando tomes más
LA VIDA
(JETA)
Que pise sobre otra cosa
Hay algo mayor
Que el cuerpo
La sombra
El nombre
Le quitas las cejas a la Noche
Les abres los ojos al día
UN POCO MÁS TARDE
(PAK ME VONË)
Un poco más tarde
Saldrá
En la piedra de la palabra
Para ti saldré yo también
Te esperaré largamente
Con todas las partidas
Con todas las llegadas
BAJO LA SOMBRA DEL RECUERDO
(NËN HIJEN ES KUJTIMIT)
Te diría algo olvidado
Algo que ya no te acordaras mañana
El olvido se vuelve cada vez más viejo
Cuando el silencio vagabundea
Al pie del roble secado por el sol
Te espero todavía
Cobijado en el regazo de la añoranza
Ahí uno espera tan sólo a su amada
Y al cambio yo me senté para descansar
El otoño me ha desangrado, ha disminuido la luz
Yo tan sólo
Intenté decirte algo
Junio, 2004
LA BELLEZA DE LAS BELLEZAS
(BUKURIA E BUKURIVE)
A quien otro si no a la chica
Le sienta bien la belleza
En sus ojos brota
Tan sólo el amor por la libertad
Qué belleza del verso
Qué belleza del verso
Ay, de su belleza
DRAMA
(DRAMË)
Primer acto
Porque
Ayer a ti te pareció muchísimo
Como es que no pensaste
Por donde pasa la línea
Entre el enojo
Y el alegría
En que lado encontraremos
Un atajo
Para este camino
En que lado y cómo
El segundo acto
Porque
Mañana seremos muy pocos
Sal al manantial de la sed
Espera
Todas las llegadas tempraneras
La que no vendrá
Jamás
Es la mía
El tercer acto
Y
Hoy no hay nadie al horario
Compra el billete para el largo camino
En cualquier parada
De la escritura
Encontrarás una coma
Para ti
Un signo de interrogación para mí
Traducido al español por Elena Liliana Popescu
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Note biographique:
Le poète Jeton KELMENDI est né à Pejë (Kosovo) en 1978.
Il a fait ses études primaires et secondaires dans sa ville natale. Il est licencié de journalisme de l’Université de Prishtina. Actuellement, Kelmendi poursuit ses études supérieures à l’Université Libre de Bruxelles (Politique internationale et Problèmes de sécurité). Parallèlement à ses travaux universitaires, il écrit et publie plusieurs recueils de poésies. Jeton Kelmendi est collaborateur de bon nombre de médias, albanais et étrangeres, traitant essentiellement d’affaires culturelles et politiques.
Kelmendi s’est fait connaître par le large public grâce à son premier ouvrage poétique “Le siècle des promesses”, publié en 1999 et qui a connu un immense succès. Ses poésies sont traduites en 22 langues et publiées dans beaucoup d’anthologies.
Il est membre de nombreux clubs internationaux de poètes.
Il est vétéran de la guerre que l’UCK a mené pour l’indépendance de Kossovo (1998-1999)
A présent Kelmendi vit et travaille à Bruxelles.
Ouvrages de l’auteur :
Poésie :
Le siècle des promesses, Rilidja, Prisjhtinë,1999
Par-delà le silence, Faik Konica, Prishtinë, 2002
Peut-être à la mi-journée, Faik Konica, Prishtinë, 2004
Donne-moi un peu de pays, Faik Konica, Prishtinë, 2005
Où nous mènent les événements, Ombra GVG,Tiranë, 2007
Tu viens pour le bruit du vent, Globus R., Tiranë 2008
Le temps lorsqu’il aura du temps, Ideart, Tiranë, 2009
Drame :
Dame parole, 2007
Publications en langues étrangères :
Ce mult s-au rãrit scrisorile / Les lettres sont devenues fort rares (choix de poèmes traduits et publiés en roumain)
A Breath / La respiration (choix de poèmes traduits et publiés en Inde)
Reconnaissance internationale :
Membre de l’Association des journalistes professionnels d’Europe, Bruxelles.
Membre de l’Académie européenne des Sciences, des Arts et des Lettres, Paris.
Grand Prix Internationa Solenzara de Poésie, France.
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Biography of Jeton Kelmendi
Jeton Kelmendi was born in 1978 in the City of Peja, Kosova. He completed elementary school in his birth place. Later he continued his studies at the University of Prishtina and received the degree of Bachelor of Arts in Mass communication. Currently he is completing his graduate studies at the Free University of Brussels, Belgium, specialising in International and Security Studies. For many years he has written poetry, prose, essays and short stories. He is a regular contributor to many newspapers, in Albania and abroad, writing on many cultural and political topics, especially tconcerning international affairs. Jeton Kelmendi became well known in Kosova, after the publication of his first book entitled: “The Century of Promises” ( “Shekulli i premtimeve”), published in 1999. Later he published a number of other books. His poems are translated in more that twenty-two languages and published in a few international Literature Anthologies. He is one of the most translated Albanian Poets. According to a number of literary critics, Kelmendi is the genuine representative of modern Albanian poetry. He is a member of many international poetry clubs and is a contributor to many literary and cultural magazines, especially in English, French and Romanian Languages. The wisdom of his work in the field of Literature is based in the attention that he pays to the poetic expression, modern exploration of the text and the depth of the message. His Genre is focused more on love lyrics and elliptical verse intertwined with metaphors and artistic symbolism. Kelmendi is a veteran of the War of Liberation in Kosovo led by the Kosovo Liberation Army, 1998 -1999. he currently resides and works in Brussels, Belgium.
Published works:
“The Century Promises” ( title of the original: “Shekulli i Premtimeve”), 1999 (poetry)
“Beyond Silence” (“Përtej Heshtjes”), 2002 (poetry)
“If it is afternoon” (“Në qoftë mesditë”), 2004 (poetry)
“Fatherland pardon me” (“Më fal pak Atdhe”), 2005, (poetry)
“Where are the arrivals going” (“Ku shkojnë ardhjet”), 2007 (poetry)
“You arrived for the traces of wind” (“Erdhe për gjurme te erës”, 2008 (poetry)
“Time when it has time” (“Koha kurë të ketë kohë”), 2009 (poetry)
Published plays:
- “The Madam Word” (“Zonja Fjalë”), 2007 (Drama)
Published Works In Foreign Language :
- “Ce mult s-au rãrit scrisorile” (“Sa fortë janë rralluar letrat”); published in Romanian Language.
- “A respiration” (“Frymëmarrje’); published in India
- “Dame parol,” drama; published in French
- “COMME LE COMMENCEMENT EST SILENCIEUX”
(“Ku fillon heshtja”), poetry; Paris, France
- “ΠΟΥ ΠΑΝΕ ΟΙ ΕΡΧΟΜΟΙ (“Ku shkojnë ardhjet”),
Poetry in Greek; Athens, Greece
- “Wie wollen (“Si me dashtë”), poetry; Berlin, Germany
International Awards:
Member of the Association of Professional Journalists of Europe, Brussels, Belgium.
Member of the Academy of Science and Arts of Europe, Paris, France.
SOLENZARA Prestigious International Award, Paris, France.
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SHËNIME PËR AUTORIN
Jeton Kelmendi u lind më 1978 në Pejë-Kosovë.
Shkollën fillore dhe të mesmen i kreu në vendlindje, ndërsa studimet për Komunikim Masiv në Prishtinë, kurse studimet post-diplomike në ULB- Universitetin e Brukselit (Politikat ndërkombëtare dhe çështjet e sigurisë). Vite me radhë shkroi dhe botoi poezi, prozë, ese dhe tregime. Është bashkëpunëtor i shumë medieve, shqiptare e të huaja, ku trajton çështjet të ndryshme kulturore dhe politike, sidomos që kanë të bëjnë me raportet ndërkombëtare. Si emër Jeton Kelmendi u bë i njohur për lexuesin në Kosovë me përmbledhjen e parë me poezi “Shekulli i premtimeve”, të botuar më 1999. Në vijim botoi edhe një serë librash të tjera. Poezitë e tij u përkthyen në më shumë se 22 gjuhë të huaja, u botuan në disa antologji ndërkombëtare. Është njëri nder poetet më të përkthyer shqiptar. Ai është përfaqësues i denjë i poezisë moderne shqiptare është thënë nga kritika letrare. Kelmendi është anëtar i disa klubeve ndërkombëtare të poetëve dhe bashkëpunon me disa revista letrare e kulturore, sidomos në gjuhët angleze, franceze dhe rumune. Qenësia e punës së tij në fushën e artit letrar është kujdesi që i kushton të shprehurit poetik, shtjellimit modern të tekstit dhe thellësisë së mesazhit. Në krijimtarinë e tij veçohet sidomos lirika e dashurisë dhe vargu eliptik i ndërthurur me metafora dhe simbole artistike. Është veteran i luftës që bëri UÇK-ja më 1998 -1999. Aktualisht punon dhe jeton në Bruksel.
Tituj të veprave
Shekulli i Premtimeve, 1999 (poezi)
Përtej Heshtjes, 2002 (poezi)
Në qoftë mesditë, 2004 (poezi)
Më fal pak Atdhe, 2005 (poezi)
Ku shkojnë ardhjet, 2007 (poezi)
Erdhe për gjurme te erës, 2008 (poezi)
Koha kurë të ketë kohë, 2009 (poezi)
Dramë
Zonja Fjalë 2007 (dramë)
Në gjuhë të huaja
-Ce mult s-au rãrit scrisorile /Sa fortë janë rralluar letrat në Gjuhën Rumune
-A breath /frymëmarrje në Indi
-Dame parol drama Francë
-COMME LE COMMENCEMENT EST SILENCIEUX (Ku fillon heshtja) poezi Paris
-ΠΟΥ ΠΑΝΕ ΟΙ ΕΡΧΟΜΟΙ (Ku shkojnë ardhjet) poezi në Greqi -Wie wollen (Si me dashtë) poezi Gjermani
Mirënjohje ndërkombëtare
Anëtar i Asociacionit të gazetarëve profesionit të Evropës, Bruksel
Anëtar i Akademisë së Shkencave dhe Arteve të Evropës, Paris
Çmimi prestigjioz ndërkombëtar SOLENZARA, Paris
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